For founders and independent makers who want a clear next step without a long pitch.
A few notes from ceramicists, textile makers, and independent designers who rebuilt their visual identity with our studio. Each project started with a conversation about materials, process, and the story behind the work.
We came with a dusty logo and no idea how to explain our glazes. Adriana asked about the clay first, not the colors. The new identity grew from the texture of our raw material, and now the labels look like they belong on the shelf next to the pots.
Elena Marchetti, founderThe packaging workshop changed how we think about every shipment. We switched to recycled paper with embedded seeds, and customers started posting the boxes before the scarves. The visual system made the whole process feel intentional.
Rui Almeida, dyer and weaverI was afraid a designer would push me toward something trendy. Instead, we mapped the scent notes into a palette and a type system that feels quiet and precise. The social templates are easy to use, and I finally stopped improvising every post.
Giulia Ferraro, founderWe needed a logo that worked on a chiseled stamp and on an invoice. The team tested the mark at three sizes, on paper and on screen, before we committed. That kind of care is rare when you are a two-person shop.
Miguel Sousa, makerThe consultation helped me see that my brand story was buried under generic product shots. We rebuilt the Instagram grid around process photos and material close-ups. Orders from new followers doubled within two months.
Clara Vidal, designer